Student Gallery

From artifacts to portraits and landscapes of the living world, explore student artwork to encourage meaningful conversations in the classroom. Learn how to use the gallery.

Use Image Analysis Activity

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

As quoted by Margaret Wolfe Hungerford, “beauty is in the eye of the beholder.” My photograph captures the unexpected beauty that exists within my community. It represents the significance of national parks in the United States and across the globe through the tangible aspects and genuine opportunities that they offer. These opportunities allow us as protectors of the earth to more fully form a personal connection with our planet—to be conscious about our actions and the impact that they have on the earth. My photograph was taken in Yosemite National Park, and though it doesn’t depict the popular imagery that many people associate with this national park, such as Half Dome or El Capitan, it symbolizes that beauty can reveal itself through lesser known, or unexpected, places.

It wasn’t easy to achieve this image, but the process reminded me that anything that is worthwhile isn’t easy—for example, protecting the Earth against climate change and environmental impacts. We have a responsibility to make sacrifices in order to call ourselves true stewards of the Earth, and during that process, we recognize the beauty that we are called to protect.

Andrea Trejo (age 18)

Metepec, Mexico

La nervadura de una hoja, líneas paralelas o sin rumbo que sobresalen de su piel, se encarga de circular la savia y conectar cada rincón de la planta. Mis venas, caminos sin fin alguno por los cuales circula mi sangre, desde el corazón hasta la punta de mis dedos. Tú y yo no somos tan diferentes, nos unen líneas interminables, por lo que cuando intento escucharte lo hago como si tú fueras yo, se que un rayito de sol en la mañana te da energía para seguir todo el día y que escuchar una melodía te hace bailar, lo sé porque esas cosas hacen que se acelere mi corazón y que siga fluyendo por mis venas aquello que me mantiene con vida, y así como funciono yo, lo haces tú.

La única diferencia es que yo dependo de ti, pero tú no de mi.

The leaf rib, parallel lines with no guide to follow that bulge from its skin, is in charge of circulating the sap connecting every corner of the plant. My veins, paths with no ends that fulfill their function by taking the blood from my heart to the tip of my fingers. You and I, we are not so different at all, we are connected by unending lines. When I try to listen to you, I have in mind that you are me. I know that a sunbeam every morning gives you enough energy until the day ends and that listening to music makes you dance. I know this because these things make my heartbeat go faster and keep me alive, flowing in my veins. Just the way my body works, so does yours.

Our difference is that you can live without me, but I cannot live without you.

Isabel Mendoza (age 17)

Villa Verdun, Mexico

“I hope my grandson will always know the other beings as a source of counsel and inspiration, and listen more to butterflies than to bulldozers.” — Robin Wall Kimmerer

Navillera
Flying beautifully, like a butterfly

It's an ethereal sight, a dream-like komorebi. The clean, fresh air of the forest, along with so many wings flapping and a river-like sound, fills the space. This is one of the most beautiful moments in my life in a place where dreaming and wishing were allowed. The migratory phenomenon of the Monarch butterfly is one of the most extraordinary and mind-blowing trajectories of a living organism. Every autumn, they abandon their breeding grounds in Canada and Northern U.S. for millions to arrive in Mexico, flying far away from the cold to a place where the temperature allows them to recharge energy. When the time comes, they go north once more. Getting to the north can take between three and four generations to complete. With unique abilities of direction and navigation, they only need good temperature with sunlight, water, and trees to rest on. It's us who need to make sure they go unbothered, but we have failed to do so. The number of monarchs each day is decreasing. This is caused by the disappearance of milkweeds, in which they lay their eggs, and climate change.

When I had the opportunity to visit the butterflies in Sierra Chincua, I realized the beauty of nature and how isolated the cities are. One may think the opposite, that in the middle of the forest you are in the middle of nowhere, but that's not true. When you stand in a place full of life, you are connected with yourself and accompanied by music, stories, love, dreams ,and wonder. Listening to the living world is much simpler than you think; it comes naturally if you let yourself go. It's when you are able to open your heart and mind, realizing we are not the only ones on this planet that you are finally starting to listen. You may lose yourself between hearing and listening. To find the difference, you need to learn about the world and its organisms. You don't have to be an expert—just treat it carefully. This planet gives us the warmth of a mother and the embrace and protection we need. If she always carries us on her back, and we don't start using our legs, she will get tired and we will both fall. If we choose to listen to our destruction instead of her stories, there will be no more future for her other daughters and sons...for our daughters and sons.

Kunsh Puranik (age 18)

Lombardia, Italy

There are two sides in this photo. The right half of the image represents nature, while the left half represents humans. As seen in the image, both the human and the symbol of nature are at an equal height. This represents balance and coexistence with nature. The Covid-19 pandemic gave me time to reflect on our relationship with Mother Nature. In my opinion, it is impossible to continue living if we treat our flora and fauna with such disrespect. We must coexist with nature and a significant part of that is adjusting our lifestyles and imitating nature. In the image, the person holding the conical funnel represents an adaptation and imitation of nature [the bird]. Humans have abused the environment for too long now and it's time we show nature the same respect we show our elders. It is only through balance that prosperity will be sustained and the light of life will shine bright.

Bailey Seaton (age 16)

Florida, U.S.

Glass Planet

I have always been fascinated with reflections. I was walking in New York City and saw a circular mirror, the kind used to keep one safe from running into someone or from attack. Before taking the picture, I took note of the setting. I saw all the lines intersecting towards the mirror: the sharp lines of the awnings, the metal pole, and the buildings off in the distance. The living tree rests outside this awning, twisting and adjusting itself to the lifeless metal and concrete city. Before the Covid-19 pandemic, I might not have taken this shot. But when I look at how trees struggle for life in the concrete jungle of New York City, it made me think of the struggle for life in the human race, how this struggle to overcome the pandemic rewarded the planet in unexpected ways, and how air quality improved and animals and plants flourished. There are two central living beings (me and the tree). We are the central subjects, not objects. The living and the inanimate are juxtaposed against each other, converging at the center point, the mirror, the point of reflection. The reflection in the circular mirror of the circular world shows life the way it is, the way it should be—mankind, plant kind, and lifeless buildings existing equally.

Ned Henderson (age 17)

Queens Park, Australia

Unsettling Evidence

I am fortunate enough to witness two worlds in my country: the continual game of monopoly within the urban sprawl of Sydney and the often forgotten rural hearts and souls. This macro perspective of the inevitable devastation of our bushfire season was a message to the world. Being located within the city of Sydney NSW during the 2019-2020 fire season, I noticed a disconnection between people around me and what was happening only a couple hours drive west. This alarmed me, as I was viewing updates hourly for months whilst the majority were not concerned. With many family members having to evacuate multiple times, and watching the map for fires near the family farm, it wasn’t the greatest summer. After a fire storm swept through the rural town of Bilpin NSW, I was eager to examine the results. It honestly shocked me, as you cannot prepare yourself for what you see. To think that this is just one handful of ash and one small town upon thousands.

The film Earthrise made me consider scale and perspective. We could see the fires from space and feel the ash in New Zealand, but my image considers the inverse of this by examining the slightest fragment of the big picture. It is important to acknowledge the close connection between cities and the bush and the world's interconnectedness of ecosystems.

The gesture in the image is a transactional exchange of what we have offered and what the natural world offered in return—45 million acres of flaming earth.

Ellie Lint (age 18)

Montana, U.S.

Reciprocity is embodied by the idea that we must learn to give back to the world we take so much from. When we encounter nature every day, we take advantage of it instead of realizing all that Mother Earth gives us. On a cloudy day in May of 2020, an osprey carrying a massive trout landed on a tree branch right in front of my bedroom window. I slowly and carefully crept across my lawn up towards the base of the tree until I finally got the shot I was waiting for. In any other normal year, I would be in a concrete building sitting through a class, but Covid had put me into online school. Although Covid has taken a lot from me, I would have never had the chance to take one of the best pictures I've ever taken.

Mercer Weis (age 17)

California, U.S.

San Francisco, one of California's largest and busiest cities, is home to one of the most extraordinary landmarks in history: The Golden Gate Bridge. The Golden Gate Bridge, standing at a height of a staggering 227 meters and spanning 1.7 miles across the beautiful San Francisco Bay, connects the big city of San Francisco and the mountainous Marin County. For almost ninety years, the Golden Gate Bridge has offered the public a convenient, effective, and trustworthy form of transportation. After surviving a massive earthquake and human gridlock, the bridge still stands as one of the world’s largest bridges. Thousands of construction workers and materials built the bridge. One construction piece, the rivet, played a small but vital part in the formation and development of the Golden Gate Bridge. The artifact I have photographed is one of the 600,000 rivets installed in the Golden Gate Bridge when it was first built.

I am lucky enough to have a personal connection with the famous Golden Gate Bridge. My great-grandfather, Edwin Fraser, served as a President on the Golden Gate Bridge Board. He represented Del Norte County on a Board of forty-two other presidents. Before his appearance on the Board of Presidents, my great-grandfather was elected by the majority in his district to represent them in this stunning feat of bridge building. On January 23, 1929, my great-grandfather, along with the other presidents and top bridge engineer firms in the country, met for the first time to draft their management plans for the next four years. My great-grandfather voted on the bridge act, a three-cent tax paid by taxpayers, and many other provisions proposed by geologists, engineers, and fellow board members. The Golden Gate Bridge Board of Directors and Presidents earned a $35 million grant to build the Golden Gate Bridge. After four years of hard and challenging work, the first day of construction for the Golden Gate Bridge finally came on January 5, 1933. During the next four years, my great-grandfather collaborated with his fellow members to set goals for his workers to create the Golden Gate Bridge.

Finally, on May 27, 1937, the Golden Gate Bridge opened to the public. As a token of my great-grandfather’s success, he was given a small red rivet, a replica of the ones used in the Golden Great Bridge, to take home. This artifact has made its way down to me, his great-grandson. I have the honor of keeping this meaningful artifact with my immediate family, and hopefully, will pass it down to the next generation. Although this rivet itself is not a part of the Golden Gate Bridge, it represents the bridge’s purpose. The rivet is a symbol of a bridge that provides transportation to 112,000 vehicles and 27,000 tourists a day. The rivets themselves make up the bridge’s skeleton, one of the most critical structures in the bridge. The rivet embodies the innovative nature of the bridge and its technological breakthroughs at the time. Without these rivets, people would not have a convenient form of transportation today in a city bustling with traffic. It brings people together in one grand location to look out onto the San Francisco Bay. The message behind this rivet expresses the true purpose of an artifact. It is a symbol of one of our greatest achievements for the well-being of mankind.

Walker Wilson (age 15)

North Carolina, U.S.

The day I took this photo it was very bright outside. At first, I thought I would leave the photo as it was with color. But instead, I decided to add a twist to it. I figured black and white would compliment each other well. One thing that I learned throughout the pandemic is that the little things matter. The most basic things that you normally wouldn't pay attention to have more meaning. When setting up for this photo, I had to find the right angle. It took me a little bit, but in the end, I settled on this one because it makes the tree look "alive." The pandemic has made me more aware of the living world. In my free time I like to go out in nature and find unique perspectives that I can photograph.

William French (age 16)

New York, U.S.

We will continue to host photo contests throughout the year and we will b
My photograph is an interpretation of how we are all interconnected. It is an abstract close-up of a wire horse sculpture my father bought for me in Bogota, Colombia.The sunlight shining on the out-of-focus foreground makes the image feel curved like a sphere or a planet. The background is in focus and unlike the foreground, feels shaded in darkness. The intersecting lines are symbolic of how we are all connected to one another as human beings that share the same home.

While watching Earthrise, I was inspired by how the Apollo 8 astronauts felt about their place in the universe when seeing the Earth from space. They felt humbled to see the Earth from that perspective. At the same time, the experience allowed them to see the Earth without countries or borders that separate people. They felt an overwhelming connection to humanity. I see this feeling of unity in my photograph, as well as the beauty and chaos we’re experiencing at this moment in history.

I see a duality in my photograph. Sometimes I see it as a nest that provides safety. I also see the barbed wire of a prison that confines and isolates. This is a metaphor for our relationship to the Earth, especially during the pandemic. As people have been sheltering in place, pollution has been decreasing and the natural world has started to heal. Will we nurture Earth so it is our sanctuary? Or will we continue to destroy it and make it a prison? Like the Apollo 8 astronauts, I want to feel humbled about my place in the world, knowing we are all connected despite the divisions that prevent us from caring about each other and the Earth.

Gabe Marusic (age 17)

Ohio, U.S.

Bought and Sold

Reciprocity is a two way road, and yet we have treated our Earth like a one-way highway, one in which we take everything without giving back. During the Covid-19 pandemic, I began to go on more walks as I found being in nature one of the best ways to escape from the hustle and bustle of the world. On one of these walks I found this sign and felt a strange irony in finding it in a forested area and decided to capture the emotion I felt behind it. In my photo, Bought and Sold, I try to capture the idea of how people often find they have the right to buy and sell nature to other people. I find that the harsh black and white film I used captures the raw emotion behind the ideas of this photo, as well as the natural sunset lighting that was used. The sign reads “sale pending,” implying the sale has not even happened yet, and yet the land is still being reserved rather than enjoyed by people. If we as people want to remain on this planet, maintaining a true relationship of reciprocity with the Earth is essential. When we just take from the Earth and never give back, we slowly kill the Earth. I found the following quote from Kimmerer especially relevant, “Birds, bugs, and berries are spoken of with the same respectful grammar as humans are.” It relates to the idea of nature and humans all being interconnected as one rather than being the two separate entities we paint them as. People tend to cut up and sell this planet we all share, but this is not our job. It was simply one we convinced ourselves we had.

Enora Le Moal (age 16)

United Arab Emirates

We can change our perspectives to see our planet as one home by observing animals. In an ecosystem, there are thousands of organisms which rely on each other. They work together. Unfortunately, humans tend to forget about the importance of collaboration. We are so busy thinking about our own problems that we forget how important the people around us are. With global warming, pollution, and deforestation, it is time for us to work together to make this planet a home. By seeing each other as one family, we become more aware of our actions and become more careful towards our surroundings. We need to stop putting people in boxes because we are all humans in the end.

In the film Earthrise, the Earth is described as a “blue marble.” I created this image by using a telescope from Al Wathba Wetland Reserve in Abu Dhabi, or United Arab Emirates (UAE). The black color of the telescope surrounding the image represents the infinite darkness of the universe while the lake and flamingos represent our Earth. The Earth in the Earthrise photograph is also observed from afar, which is shown in my photograph through the use of a telescope. I wanted to convey that we should admire the beauty of nature instead of trying to control it and interfere.

The UAE is important to me as a European citizen. It allows me to become more open-minded by discovering new traditions, cultures, and religions. Interacting with different people has enabled me to view the world from different angles. I want the UAE to be remembered as a country that is multicultural, and which has shown that perseverance and cooperation is the best route to success. People of diverse religions, cultures, and nationalities live in the UAE. It is a country that embraces this idea of being ‘one.’ It takes in people from all around the world and it doesn’t judge them. It accepts people no matter who they are.“The Abrahamic Family House project” (where a synagogue, church, and mosque will be built in the same location in Abu Dhabi) is a perfect example of respect and harmony between people from all backgrounds, beliefs, and nationalities.

Emily Williamson (age 17)

Christchurch, New Zealand

Everyone needs to take time to appreciate our planet a bit more. We can see the negative effects we have made to the Earth and how it tries to heal itself. I believe my relationship to the planet is a protective one. My ancestors once believed that they did not own the Earth but cared for it. Papatuanuku was the earth mother and they worshiped her. She provided them with what they needed, and they did not abuse this relationship. Today, we are greedy humans who believe we own the land and all that resides on it. We take and take but never give back. The bee in my image does the exact opposite of this. When it takes pollen from a flower, it gives some as well, providing a fair exchange. I believe our relationship with the Earth should be the same.

I would like this place in the world to be remembered for giving back to the creatures of the land and restoring what once was— an exchange to Papatuanuku for being able to reside on her own Earth.

The Earthrise image inspired me to change my perspective, not just in photography, but in my life and in decision-making as well. For this image, Earthrise inspired me to look at the world from not only someone else's point of view but from the point of view of something else. Bees work together to create and support each other and unlike humans, they are not selfish or greedy. They work individually to come together and combine their efforts. I chose this bee in particular because it worked by itself on a single flower. Despite being alone, it has a team and a hive that supports it. This mirrors the epidemic we face currently, and serves as a reminder that we may be alone working, but we are alone together. We are working as one to save lives.

My image was taken at my home. This image always reminds me that sometimes the wonders of the world are right under your nose. You just have to look. We can be content with where we live and what we have. This bee does not complain about the size of the flower or lack of pollen. It simply does what it needs to do. I should not complain about the size of my home or the lack of friends currently visiting me. My home is special to me because it is where my family is. They are the ones who support me through everything, just like how this flower supports the bee.

Noa Polston Schwartz (age 14)

California, U.S.

The photo portrays poignancy. The artifact of this distrust being the American flag. The emotion and memories behind the photograph stem from the experiences of my ancestors, their struggles and failures, luck and victories, now only a story. The meaning of the American flag has been changing since it's very creation in 1777. For my grandfather, Miki, the flag was the embodiment of refuge. America, a place for new beginnings, limitless possibilities, as long as you believe. It was the place for lovers of hope and students of hard work. A land where everyone was created equal, given freely the right to pursue happiness. For my Saba, my grandfather, America was justice. Barely seventeen, he set off to America leaving the despicable horror of what was left of Nazi Germany as a surviving Jewish teenager just liberated from Buchenwald. America welcomed him with her strong arms and smile, whispering "good luck."

Saba built a life for himself, learning exactly how to live opposite to a victim. Rising up with strength. America was good to him. And she was to many. What we need now is to be good for all. It seems to me that it's not our most recent years that have been so pivotal. America was never what it said. She lied to her suitors, feeding them hope when all she had was luck and bias, keeping the agonizing truth sealed into her red and blue lips. "Land of the free, home of the brave." How is this possible when over ten percent of America is food insecure? "We hold these truths to be self-evident, that all men are created equal." What truths do women have? What can we grasp? "We mutually pledge to each other our Lives, our Fortunes and our sacred Honor." Where is there honor? I see the fortunes funneling deeper and deeper to the top one percent. There are small children imprisoned at the spiked borders, metallic with fear. Our brothers and sisters of color marching in the streets and it's called rioting? Our basic reproductive rights being questioned? Our political system so divided over two white men, our police shooting when we are asleep, our country physically turning upside down from the drastic changes in our climate, children diving under desks at school for their lives, the anti-Semitic attacks filling our newspapers. Ask yourself: what does this flag now represent? How can we reclaim it, not just symbolically, but literally? How can we reclaim our America that we've lost to fear and hatred? We must remind her, show her, teach her that love is love, that trans lives matter, that people of color matter, that immigration camps are inhumane. We must spotlight our climate crisis, repair our hope, and reestablish our pride. As a fourteen-year-old little Jewish girl living in California, I hope to one day see an America that has achieved true justice for all. One that my grandfather and all my other ancestors can be proud of as well. And that one day, I can fly an American flag, understanding finally what true pride feels like.

Ruby Penner (age 17)

Vernon, Canada

A New Subject

“Living beings are referred to as subjects, never as objects, and personhood is extended to all who breathe and some who don’t. I greet the silent boulder people with the same respect as I do the talkative chickadees.” — Robin Wall Kimmerer

The focus of an image is referred to as the subject. Subjects are usually people. However, the subject does not always have to be human. The ancient trees should be granted the same respect that people receive. Nature commands our focus. In this image, an ancient cedar tree captivates the same attention a human would. It has limbs holding a delicate bouquet of baby’s breath as if it is a person posing for a portrait. The soft sunbeams encompass the tree with a soft hug as if the sun just can’t help but be near. The gentle soul of this elegant cedar is brought forth when it claims its title as the subject.

How may we listen to the living world with our whole selves?

Wrap your arms around a tree, let it feel your pulse.
May your hearts beat in unison.
Let the water flow through your fingers, feel the way it glides.
May you move as it moves.
Have the wind blow through your arms, listen to it breathe.
May you follow its breaths. Bask in the sun, feel its warmth.
May you be inspired by its light.
May you one day treat nature as you would a person.

We must learn to respect nature as it deserves. Hug the trees. Feel the water. Hear the wind. Stand in the light. Instead of just receiving the gifts nature offers. We must learn to give back.

Gianna Gazulla (age 16)

California, U.S.

Unexpected Beauty

Ned Henderson (age 17)

Queens Park, Australia

Unsettling Evidence

The gesture in the image is a transactional exchange of what we have offered and what the natural world offered in return—45 million acres of flaming earth.

Gabe Marusic (age 17)

Ohio, U.S.

Bought and Sold

Andrea Trejo (age 18)

Metepec, Mexico

La única diferencia es que yo dependo de ti, pero tú no de mi.

Our difference is that you can live without me, but I cannot live without you.

Ellie Lint (age 18)

Montana, U.S.

Enora Le Moal (age 16)

United Arab Emirates

Isabel Mendoza (age 17)

Villa Verdun, Mexico

“I hope my grandson will always know the other beings as a source of counsel and inspiration, and listen more to butterflies than to bulldozers.” — Robin Wall Kimmerer

Navillera
Flying beautifully, like a butterfly

Mercer Weis (age 17)

California, U.S.

Emily Williamson (age 17)

Christchurch, New Zealand

Kunsh Puranik (age 18)

Lombardia, Italy

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